Suki-tte Ii Na Yo |
“A truly wonderful movies, held back by one small but strong force that
it never has stumbled upon”
What is Suki-tte Iina Yo?
Also known as “Say, I
love you”. It follows the story of the fateful encounter of Mei Tachibana
and Kurosawa Yamato and their path ahead as they slowly grow to love each
other. As they grow to love each other, Mei, who was a loner at first, finally
learns the true meaning of friendship.
And, what do I think of it?
First of all, let me clarify that I have yet to watch the
OVA by the time I write this review, as I plan to review the show from episode
1-13 only, bar the OVA. So, whatever happened in the OVA is still as dark as
the night for me, and I tend to not include OVas in my review as sometimes, it
is unrelated to the main plot or some are even there just for the sake of
either being there or some unnecessary fanservices. With that said, I am
omitting the OVA from this review.
And let us begin.
Usually, romance series must have a deciding factor so that
it can be called original, be it characters, theme, central plot, or whatever.
The recently airing Kuzu no Honkai and Tsuki ga Kirei both has their own
central thing that they are focusing on. Kuzu no Honkai plays with the theme
“Forbidden love”, while Tsuki ga Kirei focuses on how our two couple are still
insecure of being in love with each other and their eventual quest to know
their relationship, as well as the focus on LINE messaging system. In 2015, a
prominent title which has just been released in English also has a factor which
makes it popular, which is Ore Monogatari!!! And it’s focus on Takeo Gouda as a
“Gar” in a shoujo-like manga and follows his story of how he and Yamato become
a couple.
Without these factors, all romance anime will just fall to
the sideways and be treated as a mediocre series. The tropes within romance
anime has been to clichéd and without these factors, it wouldn’t bolster the
popularity of the genre. So, what makes Sukitte iina yo special? And is it
good?
Sukitte iina yo, or allow me to call it just “Sukinayo” from
now, is a beautiful anime series about how two high-schoolers became a couple
just because of an accident. Yeah, the meeting between our protagonists, Mei
Tachibana and Kurosawa Yamato was surprising indeed. That kick out of nowhere
was unpredictable.
However, aside from
that, all of those clichéd tropes found in a usual romance anime is there, such
as the fact that Mei is a tsundere-like character, Yamato is a bishounen type
of guy, object of interest that connect them [Which is a cat, to be honest],
rival turned allies, true rival, and of course, a male rival to deter the
resolve of our male lead. Everything is there. However, those are not the core
strength of Sukinayo. Sukinayo’s core strength lies in the use of tragical past
to tell the backstory of each character, whether they are supporting or not,
and we shall get to that later.
Despite all the cliched tropes found in the show... |
It manages to create a great first impression. |
I want to talk about the plot first.
The plot was… Predictable, and by golly, I was able to
predict each and every movement that every character is about to do. And while
doing that, I sense a similiarity between this anime and the previous anime I
reviewed, Kimi ni Todoke. The main heroine, Mei and Sawako, has several
similiarity, to the point that their difference lies only in the fact that Sawako
looks scarier than Mei. They have issues and willingly becomes a loner, until
the male lead finally opened their eyes. They have a feature that only the male
lead knows. However, does it mean that Kimi ni Todoke is way better than
Sukinayo? Wrong. Sukinayo could definitely not surpass Kimi ni Todoke, but the
importance of tragical past here is highlighted.
As I mentioned earlier, everyone in Sukinayo has a problem
with the past, even the true rival of Mei. And the way it is resolved is
well-written and was satisfying, without leaving any loose ends. I like an
anime when it ties up all loose ends.
The plot moves with a normal pace. It’s not fast, but it is
definitely not slow. The formulaic pattern where one arc ends, and it is
immediately followed with another arc is also intriguing, as not all romance
anime does this. Remember how Ore Monogatari!!! Follows the two episodic
format, and Kimi ni Todoke has a breather episode everytime an arc ends? That’s
definitely what I am talking about. Maybe I am relating this to Kuzu no Honkai,
but in terms of execution, both are almost similar. Sukinayo was better though
in my opinion.
Everyhing revolves around our main couple. |
And in my opinion, it was good. |
Before I continue my episodic review, allow me to delve in
to the characters section.
Our protagonists are Mei Tachibana, who serves as the female
lead, and Kurosawa Yamato, who acts as the male lead. Both have interesting
personality and backstory that allows me to feel connected with the character.
Yamato was once a sly boy, according to Kai, and tends to let everything flow
around him, until Kai eventually left and that changed Yamato entirey. While
Mei is… Well, nothing much is revealed about Mai, except for the fact that she
was bullied once and was afraid to have a friend and decides to become a loner.
Their eventual meeting, the kick and the stalker, and subsequent character
development stood out as the best part of this show. We could enjoy how Mei,
who was a loner before, now could no longer live without the comfort of
friendship. And Yamato, who was once too kind to everyone, finally has someone
he can devote himself into. That was beautiful.
Also, Mei has this problem where she was kind of stunned and
just stood there without saying anything when something bad happens, causing
misunderstanding to rise and surround her and Yamato. I thought that she at
least need to say something or do something so that people don’t misunderstand
her, but I think that is her selling point as a character. Well, she was a
loner at first, so it was to be expected…
Both character undergone a terrific development... |
Which makes us, the viewer, able to connect with them. |
After Mei and Yamato, we have Asami and Nakanishi. They are
surprising as they are rather static at first [Especially Nakanishi], but their
eventual development as a couple still surprised me, and Asami also got several
of her moments, which defines her as a character. However, a character that
stood out as the third best for me is Aiko Muto.
Aiko, at first, started as a rival to Mei and opposes
everything that she did, until Mei saved her from Hayakawa and delivered one of
the best quote in the series. That changed Aiko and eventually, she becomes
Mei’s friend and consequently, her wisdom proves to be pivotal for her and
Yamato’s development as pair. She has a tragic backstory too, and the
implication that both she and Yamato slept together was a bit bothersome for
me, but overall, it helped Mei grow as a character, and proves how important
Aiko was to the story. Everytime she appeared and a storm is brewing, I just
kind of begged her to at least impart one or two word of wisdom to open the
eyes of those around her, which she always delivered. Oh, and the fact that she
was able to move on from Yamato and deciding to focus on her own boyfriend
instead was interesting.
Aiko makes much more impact in the story rather than Asami. |
Here is one moment where Aiko gives her word of wisdom to Yamato. |
Next up is Nagi, who is Yamato’s younger sister. To be
honest, she serves only as yet another obstacle for obstructing the relationship
of Mei and Yamato, persistently at that. However, I liked her episode, as it
does not stand just for the sake of being there, but is there to tell Nagi of
her tragic past.
Then we have Kai, who at first, appeared as a male rival to
Yamato and a threat to their relationship. However, Kai would then become an
apparent ally in their relationship and he helped them in lot of times. To be
honest, Kai is not that important for me, despite his backstory and all, but
his inclusion was necessary to strengthen the plot and to make sure it
progressed well. All’s well that end well I must say.
Kai did not make much impact during his run for me. |
Finally, we have Megumi Kitagawa. A model who fell in love
for Yamato. She had a tragic past and wants everything to resonates around her.
At first, I knew that she was going to become some sort of trouble, and I was
right. Originally, I thought it was Asami who’s going to become Mei’s first
rival, turns out it was Aiko, and then followed by Megumi, who stands as the
true rival and opposing obstacle in front of Mei and Yamato. She has a façade
of a kind girl, whereas her true personality is more wicked and sinister. Is it
clichéd? Definitely.
However, her method for sabotaging Mei and Yamato’s
relationship was remarkable, such as by telling him of her tragic past and make
him sympathetic of her, as well as making Yamato unconsciously went to her
place every night without telling Mei, and etc. It was well-played for her
initially, too bad she does not wear the plot armor. Eventually, her façade is
broken thanks to a well-timed Aiko’s advice to Yamato, as well as Kai’s word of
wisdom and she eventually has a breakdown. However, her change of heart moment
stood out as yet another best moment in the series, where she finally resolves
to become herself and finally accepted her childhood friend. If not for her
earlier sinister method, I think I would have liked her. I mean, all the things
that she did was irreversible, but at least that episode made me felt
symphatetic for her, well done.
Of course, if I want to liken her to someone similar in a
past romance anime, then that would be Kurumizawa Ume from Kimi ni Todoke. Big
shout-out to her as Kurumizawa was my favourite character in Kimi ni Todoke,
and her method for making Sawako and Kazehaya become distant is also
remarkable, but not as great as Megumi to be honest. And Megu was better in the
terms of development, as opposed to Kurumizawa, who was forgotten after her arc
ended in the season 1, good thing season 2 revitalizes her character.
From a methodical and sinister character... |
She undergoes one of the best development in the show. |
That’s it about the characters. Perhaps I might have missed
some, but I did it deliberately, as several characters such as Aiko’s
boyfriend, which I did not catch his name, and Hayakawa was just a bystander.
Mei’s mother was also excellent whenever she appears, but she has only limited
screen-time, but when she cried upon learning Yamato is Mei’s boyfriend is
something to behold. I can feel her parental satisfaction from that, knowing
that her only daughter has finally opened up and actually accepted someone to
accompany her.
Now the theme… As I stated before, the central theme of this
anime is tragic past. Each character has their own tragic background, which
motivates them into doing things they did. Such as how Mei avoiding people all
the time, Kai becoming bigger and wanting to have payback, Asami and how she
has a problem with her figure, Aiko and her past with her looks, Nagi and her
past of being bullied, and Megumi who was treated as an ugly child who was so
tall. Thanks to their interaction with each other, everyone was able to resolve
and become a stronger and better person. Yamato was the only problem I had, as
his backstory is not that strong and remarkable.
Tragic past and emotional scars serves as the show's major focus and strong point. |
Background was okay to say the least. However, it relies too
much on using the same background over and over again. Just how many times I
have seen that slope and bridge while watching the series? I had a hard time
remembering. Musical scores were okay too, but that’s all I can say about it.
The performance of the voice acting was interesting to say
the least. However, there were several times where I felt the case of mistaken
identity. When I heard her voice, I always thought that Mei was voiced by Kana
Hanazawa, but only to know it later that she was voiced by Ai Kayano, and Ryoko
Shiraishi being the voice of Aiko Muto, who was voiced by Yumi Uchiyama. I
don’t know whether that’s a good or bad thing, however I enjoyed the voice
acting.
The most remarkable thing for me was the fact that they
actually used an actual cat’s meowing for the cat sound, casting aside the need
for voicing the cat with voice actor. This was a bold move, but a fresh one at
that. At first, I was astounded but grew to like it, as the cat no longer has a
humanly ~Nyaa, and instead, sounded like an actual cat. There’s even purring on
several occasion, which I liked.
The cat was cute, and accompanied with a real sound of a cat. |
What about the comedic moments? Well, there’s hardly any
comedic moments in a series so focused on romance such as this, unlike Kimi ni
Todoke, which has a lot of comedic moments. However, when it did have one, it
was funny. Such as this instance of funny Mei’s face after she was forced to
endure Roller-Coaster and several thrill-inducing rides. She cried but she
could not release any word or fear, which was both funny and cute.
This face was both hilarious and cute for me. |
Oh, and there is this one episode that I just had to
mention. The introduction of Kai in episode 9 felt unnecessary for me, as it
should have instead tell the story of how Megumi’s plan failed in her face and
his introduction should have been pushed to episode 10, instead of the second
half of episode 9, with him making several on and off appearances on episode 9.
The way episode 9 is delivered makes me felt disconnected with the plot that
has been going on and
Last episode felt like a good finale and the episode showed
almost everyone whose life has been changed thanks to the interaction with each
characters. Even Hayakawa and Nagi got their moment of reckoning, where
Hayakawa now devotes himself to a single girl, while Nagi had an admirer, to
which she admires herself. And with that, Sukitenayo ends.
Overall, this is a great show, a beautiful one to be exact.
I truly enjoyed every moment watching it, and the suspense I felt whenever a
storm struck the show was thrilling, and I was practically yelling to Aiko to
do something about Mei whenever Megumi’s sinister ploy began to play around in
the palm of her hand, and thank god Aiko always delivered… Boy, I just had to
keep mention that now, don’t i?
And, while both protagonists are presented with great
character development, I think their lack of information as to what happened in
their past was one of the main problem of the anime. Despite that however, I
still enjoyed their interactions. Aside from it, what else do I think is bad
from the series? Oh, the fact that it forget one of the background character?
Cliched tropes? Well, nothing’s perfect. This is still an enjoyable show to
watch.
Sukitenayo does not wander too far from it’s clichéd tropes
found in any romance genre, yet it still twists it with an added tragical past
factor, which helped in the development of the characters, and I think the
character development parts are the best part of the show.
Sukinayo contains lots of cliche factors. |
Any romance genre lover should really pick up this series,
as it contains all those factors that those who actually a fan of the genre
would love and enjoy. Casual fans should also pick this up, but if they get
turned off with the tragic background theme, then they should just avoid this
series entirely. Oh, and any action-lover fans won’t benefit from watching this
series, since this is devoid of any humor or comedic antic that should help
them relax from any action-oriented anime that they have watched, but I won’t
stop them from picking this series up should their curiosity be piqued.
The good : Aiko Muto. Focus on character development, which
was a tremendous job. Good voice-acting. Tragic background as central theme.
The cats are voiced with an actual cat voice for heaven's sake.
The bad : Clichéd tropes are abundant in the series. Some
might get turned off by the tragic background past as the central theme. Too short.
Highlight scene : Everytime Mei and Yamato are together.
And thus, our favorite couple lives happily ever after... |
Final Score : 3.5 out of 5. I could have given it four, but
there are several things that bind the series down. Really need a sequel but it was wrapped up quite nicely.
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