Showing posts with label animation. Show all posts
Showing posts with label animation. Show all posts

Saturday, January 20, 2018

The Grand Ambition of Kyoto Animation through Violet Evergarden



Violet Evergarden

Kyoto Animation is one of Japan’s most prominent and recognized anime studio. They pioneer the industry by creating high-quality anime which is almost always positively received by both the audience and the critics.

Critics have lauded Kyoto Animation for their mastery over the genre that they are currently tackling with or even revitalizing a genre that is dying out or is unknown to the audience at that time, their habit of focusing on character more than everything , and the high production value that they always give to any of their production. All while the audience thoroughly enjoyed their anime through it’s sheer force of being highly entertaining or simply looks good.

It is no secret that I am a fan of their work, a huge fan of Kyoto Animation. I have been following them since they released K-ON! And The Melancholy of Haruhi Suzumiya is my first exposure to them if I am being honest, although I watched the anime at around 2011, right after finishing both season of K-ON!. From there on, I never missed any of their show, save for the second season of Free!, and thoroughly enjoyed them. However, despite my love for Kyoto Animation, there are several anime that I do not enjoy and think that they need to either work on that genre more or just avoid it altogether, which is Kyoukai no Kanata and Musaigen no Phantom World. Both action-oriented anime is just not the forte of Kyoto Animation and they, in my opinion, flopped at making those due to several problems. However, that is a subject for another article.

The subject for this article is Violet Evergarden. Many people, including myself has realized regarding one thing about Kyoto Animation. The studio did everything but one, which is capturing global audience and having a worldwide interest. Sure, they are popular in some parts of the country, but not that much popular, as many of their anime are normally eclipsed by a more mainstream product, such as Shingeki no Kyojin, Sword Art Online, even One Punch Man. Don’t get me wrong, all of those anime are good, but Kyoto Animation’s production is as good as them, and even better in my opinion, but they just couldn’t capture those audience, particularly because of the genre of their works that is not to the taste of the masses.

Violet Evergarden made by Kyoto Animation in hopes to gain worldwide audience.

However, Violet Evergarden has captured many interest from the mass despite only being airing for just two weeks at the time of writing this. Many people have been talking about it, some, who are not familiar with Kyoto Animation works, are already hyped for Violet Evergarden before the airing begins. This leads me to thinking that Violet Evergarden might be Kyoto Animation’s first step in achieving their dream of capturing the global interest for their products.

There are several factors that made Violet Evergarden unique in terms of their production, and evident at it’s attempt in capturing worldwide audience.


1.      Unusually High Production Value

One thing that always made Kyoto Animation different from the rest of the studio in the anime industry is their focus on quality over quantity, as many of their works focuses on delivering it’s content and it is no surprise to see them high in terms of production value, such as having crisp animation, colorful and majestic background, and a lively character. However, in Violet Evergarden, it is evident that Kyoto Animation goes way beyond their usual call of duty in making this anime, as it is unusually high in production value, whether it is animation or background, with this kind of quality normally seen only when they are producing a movie, such as Koe no Katachi or K-ON! Movie. 

So far, Violet Evergarden has a very high production value compared to the rest.

2.      Worldwide release, complete with respective dub for each region

Some of Kyoto Animation’s works are not released in English, with some unlicensed by an English-language anime publisher for a long time before they finally released it. An example for this is Hyouka, which aired in Japan on 2011 but received their English-language release on the west in 2017. However, in releasing Violet Evergarden, Kyoto Animation opted to release it in multiple region, complete with language dub that correspond the region that it was released. For the English-language release, the one who distributed the series is Netflix, arguably one of the biggest stream provider in the world, and this show is even reffered to as a Netflix Original Show. It was easily seen through this factor that Kyoto Animation was seeking the global audience, but there are several factors which underlined that line as well.

 
It was released both domestically and internationally.

3.      The Quality of the English and Japanese Dub

Kyoto Animation’s approach for their voicework is notable for including a newer or rookie voice actor and pair them with a more experienced or talented one in order to give the rookie more experience and cut cost as well. Violet Evergarden, on the other hand, had a line-up of a more talented voice actors ,which is already popular to the audience, that helmed the characters, such as Yui Ishikawa, who is known for voicing Mikasa Ackermann in the Shingeki no Kyojin series,  as the voice of Violet Evergarden,  Takehito Koyasu, who is known for his role in One Piece as Aokiji and Jojo’s Bizzare Adventure as Dio Brando, voices the character Claudia Hodgins. Despite the great line-up for the Japanese Dub, they also had a very talented voice actors voicing the character in the English Dub, something that is rare for anime, such as the names of Erika Harlacher, Cherami Leigh, and Christine Marie Cabanos. As I stated before, having a well-known voice actor for an English release is particularly rare for anime in this era, since the popularity of anime is waning in the region which had English as their main language, thus making the English voice a little bit cheaper or less known to the mass. However, Violet Evergarden release, evident through those names, indicated that they are aiming the western audience to pick up the series as their English voice are far superior than those I normally heard in other English-dubbed anime.

The voice talents used for Violet Evergarden was star-studded.

4.      Intentionally great first episode

All anime seeks to do great at their first outing so that the audience sticks to the anime until the end, as they say that first impression are everything. When a person’s first impression to an anime is already negative, they will view that anime as negative even though that anime is already doing good, vice versa. An in the airing of the first episode of Violet Evergarden, the first episode of the anime was so captivating that people had already rated the series so highly despite only being the first episode. The first episode was magnificent in terms of visual, captivating in terms of story-telling, and phenomenal in almost everything. Simply put, Violet Evergarden’s first episode is the dream of so many anime already airing or planning to air. However, why do I say intentional? While a first episode is good, the second episode must absolutely follow suit. While the second episode of Violet Evergarden is good, it is not as magnificent as the first episode. As such, I believe that they are intentionally making the first episode to be as majestic in order to capture the interest of the audience and made sure that they land a lot of viewer for this series.

The first episode was a cut above the rest.

5.      Garnering interest through theme

If you are familiar with the works of Kyoto Animation, you know that they are normally tackling a theme which is rather unknown to the public at that time, such as when they produced Hibike Euphonium, whereas the public interest for marching band is not that high, as well as swimming in the form of Free!, Theme park in the form of Amagi Brilliant Park, and even Monster girls in the form of Kobayashi-san Chi no Maid Dragon, as the popularity of that genre is not as high as when Monster Musume no Nichijou aired. Through Violet Evergarden, which is centered around an a young woman trying to find out the meaning of love, it is easily seen that Kyoto Animation seeks to garner an audience interest by using a universal theme which many in the public has shown love for.

The theme of Violet Evergarden is as universal as you can get, and it was widely accepted.

6.      Setting is not in Japan

One of the many aspects of the anime which is sometimes not in the favor of the western audience is it’s setting. The setting is normally set in Japan, and commonly, in high school, which has drawn boredom from the public. Violet Evergarden, on the other hand, utilized a more western-oriented setting, presumably in Victorian era England due to their name and settings but I don’t know and don’t quote me on that, so that the audience hailing from the western region can get familiar with the setting and their name more. This is the simplest yet perhaps the strongest aspect yet, since using a more western-oriented theme and setting can help an anime get over the western audience easier.

Through many things, it can be seen that the show is not set in Japan.

7.      Visually amazing

As I talked  about earlier, Kyoto Animation works tend to have a high production value, evident in their visual. However, Violet  Evergarden turned it up into eleven in this manner. As I spoke earlier, their visual matched those with the one that they normally do for their movies, and this is by far the pinnacle of television anime as none can even close in their attempts in making their anime looks as good as this. This, too, is not done just for the sake of looking good. Instead, to gather an audience interest through a captivating visual, as people tend to flock around a good-looking anime. Many of these people are seen in the community, as there are people who watched Violet Evergarden simply because it looks good.

Visually, Violet Evergarden stood out as the best and finest looking of any Kyoto Animation works.

All of those are the factors which proved the fact that Kyoto Animation is seeking a worldwide recognition through Violet Evergarden. The production value, the worldwide release, and everything, is their effort in making both Violet Evergarden well-known and widely accepted in the west, as well as it is in Japan.

Violet Evergarden is already captivated me through it’s first and second episode, which is the only two episodes that have aired at the time of this writing, and I can’t help but wanting to watch the next episode. This is the effect that Kyoto Animation perhaps seek to achieve in producing this series, but I don’t know. 

Aside from loving this series as a whole, I also love Kyoto Animation as a studio, as I believe that they are the Japanese-equivalent of the Pixar animation studios in the United States. They are similar in their belief and ways to achieve their animation target, such as using a more obscure theme to gain interest, as well as making sure most of their work received the same high-production value, although Kyoto Animation is dreaded for their in-house works up until Amagi Brilliant Park and having almost a similar character model in many of their works. Despite all of that, Kyoto Animation always came through them all in their own way.

It’s just that , Violet Evergarden is in a league of it’s own.

There's no denying that Violet Evergarden is doing a really good job right now.


Sunday, May 14, 2017

Anime Review : Musaigen no Phantom World


Musaigen no Phantom World

“KyoAni frankly never learn from their mistake”

What is Musaigen?

Musaigen no PhantowWorld, or Myriad colors phantom world, as it is translated, follows the story of Haruhiko ichijou and his activity in the phantom-laden world with her friends as they try to uncover a plot.

Or so it says...

Like i said before, i am one of those people that actually ‘likes’ KyoAni works. I don’t follow their works because i heard it was good or their character are flashy, I follow and love their work because it’s KyoAni, the Japanese version of Pixar. KyoAni works always focuses on story, character development, and art, as well as their masterwork on background and camera arts. That is what I love from KyoAni.

Unfortunately, Musaigen failed to deliver. There's just something about KyoAni and their apparent attempt on creating action anime, and those tend to fail big time. I am not speaking without evidences myself though. Take a hard long look at Kyoukai no Kanata, or Beyond the Boundary, and try to see if there is anything redeemable from that anime? It failed big time and was a disappointing series, despite the fact that the main character somehow drives those who have glasses-fetish insane. There is also the case of Munto, which is a horrible anime series by the way. According to statistics shown by Myanimelist.net, it has the lowest buy-rate of any KyoAni's work. And that was one of their first attempt at creating their original project. It was disappointing and perhaps, that was the plug that made them think twice before both making action anime and creating an original anime. Though Tamako Market, another one of their original project, is fairly decent, and the follow-up movie is really phenomenal if i do say so myself.

But we're here not to talk about KyoAni in general, but regarding the Musaigen no Phantom World. So, why does i call it bad? Let's review several aspects.

Yes, the pattern of KyoAni animation is there, the camera arts, the background, the music, and etc. But, this anime failed horribly. And it even delves into something KyoAni has dared to do in the past, Fanservice, with Mai [The heroine] is the subject to all that.

Mai is a busty girl, whose boobs seems to bounce around, even while talking and loves to molest herself before doing battle and the shot seems to love her bust and waist. It is a good thing KyoAni dropped almost all of these aspect that kills this anime halfway in the series, but the damage has already been done. By that time, those who actually enjoy KyoAni work has already given up on this fanservice-laden anime [maybe] and those who loves fanservice will constantly asks “Where is the fanservice?”

Still need a better explanation for why a girl gropes herself to acquire strength
Well, despite all that, there’s still the camera arts. One example is when Kurumi is eavesdropping the gang’s conversation and the shot suddenly shifts to a nearby singular flower, this could indicate that she is happy or something else, but, then again that is the shot that makes KyoAni works a KyoAni works. The musical score does fantastic job and the background fits the series pretty well and looks pretty well-drawn.

However, the real problem is within the plot.

Needless to say, the actual plot finally started rolling in around episode 12. And what are they doing for the whole 10 episode? It’s either playing around like a slice of life comedy anime or just focusing on character development. This is not acceptable for an anime who, at it’s announcement, label  itself as an action-fantasy anime and in the back tagline, there’s even”uncover secret plot”. Those plots are actually rolling and playing for 2 entire episode, episode 12 to 13 and that is it.

And the antagonist who just appeared on two last episodes is also strange. She just appeared, stated her business and her reason for doing all of this before finally the group defeats her or so. It felt rushed and since her rushed appearance seemingly came out of nowhere, i thought most people would not feel anything toward her. In my opinion, had she appear from episode 5 or so, even if it is just on the ending or just a glimpse of her, at least we won't be surprised by her sudden reveal as the main antagonist later.

Though, a praise on the plot should be given on a simple gadget that Haruhiko obtained earlier in the series. Through all those grueling comedy episodes and good character development stories, Haruhiko can sometimes be seen fiddling with the said gadget. This shows that the series is actually trying to move forward, but is held back until the last moment.

This antagonist appears from seemingly out of nowhere.

This is the gadget that Haruhiko keeps fiddling with in several episodes. Thumbs up to the series for not forgetting this little gadget, even though it is filled with many ludicrous moment.
I’d say this should have been at least 20 to 24 episode, so there would be enough plot to satisfy the story and fills the void that is left within the last episode. Sure the episode does not end in cliffhanger, but I dare you, that’s not the end of the problem for Haruhiko and the others. Was a single strong enemy that suddenly appear is enough to conclude the series? I don’t think so.

However, there is also this problem of making 20-24 episode anime. We see here that the filler episode is their attempt to fill-in the gap that was created by the current trend of 12-13 episode anime, imagine if they are forced to create a 24 episode anime. I think it would be even more disastrous.

Musaigen is not without it’s moment though. The character development story [One for each character] is the highlight moment of the series, with Mai’s development episode, where she is finally treated as a character with several aspect of that of a mother, is the best. This just shows that KyoAni still haven’t forgotten what it’s about, developing a character. From past to present, KyoAni has flourished in the genre of Slice-of-Life and comedy, which focuses on developing a character [For example :Clannad]. Adding this to Musaigen certainly helps, although only slightly, since the reputation of Musaigen has been tarnished by the fanservice so early in the game, and the slow-moving plot that moves at a snail pace.

Then again, the character development stories help us know the character better and let us get closer to them. We know that Koito has a problem in the past that she needed to get over with, Mai is a loving character with motherly trait despite the fact that she loves to grope herself, Reina has a problem with her family and regarding Kurumi... We will get to that later. Those episode is not emotional, but it fares better than when Musaigen tries to be funny.

Mai is finally treated as a character in her focus episode. And my perception of her was better from that moment on.
Though out of every character development episode, the one I dislike is Kurumi’s one, where it focuses on her being a magical girl and averts trouble in Alice in wonderland-esque kingdom. If this ability gets carried over into an actual ability that she can use, it’s cool and helps build her as a character who can also fight, but it’s not. After the episode ends, she reverts back on using her familiar bear and seemingly forgets all her magical prowess, which is a shame.

Characters were decent enough to be called good. Haruhiko is the main character, and of course, he narrates the story. I don’t like the fact that he keeps talking when other character has clearly told him to shut up, but I think it’s his trait and I think he just loves his voice. Mai is a busty girl, who has a monetary problem and is the main fanservice target in this series. Reina is a rich-girl who is bound to her family and loves to eat. Koito is a stoic girl who uses voice as her power. And Kurumi is a loli who utilizes her bear to battle.

I don’t think I need to elaborate them like that, but I though it was needed to clarify something. These character traits seems somewhat new to me and that earns them a praise from me. If I had to pick one, it had to be either Mai or Koito due to their respective character development episode. And if I had to pick who I dislike, it’s either Ruru or Kurumi, due to their uselessness throughout the series, save for Ruru during the final episode, though i still don't like her by the time the ending of the series rolls.

The background is, as usual of KyoAni’s work, is impressive. There are a lot of color to be seen in the background but the anime doesn’t depend on the background. The musical scores are also good and fitting. However, the real-world that is combined with phantom does not sound imaginary to me at all, if not, I don’t like the concept one bit.

Summing everything up, this is not a bad series, but it is definitely not a good one, especially coming from KyoAni. KyoAni once made an action genre, Kyoukai no Kanata, and like i mentioned above how bad it is? Musaigen fares not further from it, but it’s better. It has strong characters, has strong character development and for good or for bad, has a lot of fanservice. Though the plot moves at a snail-pace and there are several extra-unneeded episodes. Hard to recommend to anyone, but if you loves character-focused episodes, don’t mind thefanservices when watching this. If not for the occasional good moment, I would’ve given the series a two star.

Still, hopefully Violet Evergarden fares much better than this and Kyoukai no Kanata. If Violet Evergarden turns out to be an action-oriented anime, which i presume will not, and it again failed, hopefully KyoAni learned their fateful lesson that they are not just cut-out for adapting an action anime. After all, what Musaigen no Phantom World is good for is not it's action.

Musaigen later becomes a hard-pill to swallow for the KyoAni lovers. It’s good, but it’s not on their regular level of awesomeness
The good : Character-focused episodes are good. Memorable characters [save for several]. The series is well-drawn and polished, all the characters looks alive, even the extras.

The Bad : Too much fanservice. Episode with no character focus or plot is a drag most of the time. Plot moves very slow and begins almost near the season finale. Predictable ending. This is a KyoAni work for god sake.

Highlight moment : Mai’s character development episode.

Last note for the review, the kiss scene between the Enigma and Haruhiko [If you didn’t count it since it was forced, then Ruru and Haruhiko] is actually the FIRST TIME EVER KyoAni has shown a kiss scene with no censor or whatsoever you call it in Haruhi [Kyon kisses Haruhi but the camera is panned away] or Clannad [Kyou kisses Tomoya in the OVA of the afterstory but the camera is panned away again]. The first time they almost done this in Free! But this is the first time they’ve finally done it, and I am disappointed. I hope they make a proper one in the future.

Personal note : I almost finished my second playthrough of Persona 5. Pardon for my lack of update last week, i shall offer no excuse. I will post the aftermath of my second playthrough of Persona 5 upon finishing it. And i have a lot of things to share about it!

FINAL SCORE : 2.5 out of 5. If not for the character development, i would have given it 2, or even 1.